Terry Kingen playing the blues on the Epiphone Casino.

As my adventures on the island of Kauai unfolded, I had the pleasure of having a couple of friends visit from the mainland. Terry Kingen has been a great friend of mine since elementary school. Terry is one of the premier guitar players in the Seattle area, and has been teaching me blues guitar for the last couple of years. Anytime Terry and I get together, music is involved!

One evening, Terry and I decided to have a party. And whenever we have a party, drumming and guitar playing is always the primary theme! Several friends came over to join us that evening for a wonderful dinner. When we were all completely stuffed, we gave ourselves a short recovery time and then broke out the guitars.

Francesco Garripoli started singing some of his new songs, and Terry couldn’t resist laying down the lead. He started off playing my Epiphone Casino. Although I love guitars, I’m not a very good player. This particular guitar was a favorite of the late John Lennon. If you ever see a video of The Beatles’ last performance on the rooftop of Apple studio, you will see him playing a guitar just like this one. It is said that he liked it because it was lightweight and the hollow body allows it to be played as an acoustic guitar. Not to mention the P90 pickups make it sing beautifully when played  through an amplifier.

Musical Feast

Francesco rocking the Taylor guitar.

With Francesco laying down the rhythm guitar and Terry playing lead, there was only one thing missing: the  drum. So I pulled out my djembe and started playing. Song after song, Francesco sang the beautiful melodies that he’s been inspired with for the last year, Terry added the beautiful lead licks to spice up the songs, and I laid down the djembe. The energy continued to build from there.

We must have played for at least two hours! Francesco came up with amazing new material. In fact, the songs we played that night were later performed by our band, the Kauai Vibe Tribe, a few weeks later at The Trees Lounge in Kapaa.

When we eventually ran out of Francesco’s songs, we took a little break to replenish our energy with some coffee and ice cream! When you’re a hard-working musician, it’s important to eat right. Sugar and caffeine are two very important foods for good musicians. So, after consuming copious amounts of the local ice cream and a few cups of coffee, we were ready to start again!

The Djembe Drum

Toby taking a break from the djembe.

It’s amazing how good the ancient tribal African instrument, the djembe, can sound so good with modern guitars.

With that evening’s jam-session, it was almost as though the ancient and the modern had united. Whether we were playing folk songs written by Francesco, or tunes by Crosby, Stills, Nash and Young—or in some cases, very unusual renditions of a Frank Zappa song—the djembe served well as the rhythm keeper.

I hate to say it, but the djembe even sounded good with some of the rockabilly and country songs that Terry sang. I must admit, it was challenging to play country music on the djembe—for me it’s hard to play country music, period. But Terry put his own spin on the music and made it sound just fine!

Toby Plays Guitar

For our second set, I was somehow convinced to play guitar. Actually, it didn’t take too much convincing: I love to play. And to take over the djembe and keep rhythm for us, we were joined by our friend Naoka.

Naoka on djembe.

This time the tone changed a bit. Being that my guitar skills are somewhat limited, Terry started a nice blues progression in the key of A, and encouraged me to lay down some of the lead patterns that he’s been teaching me.

I must admit that this was a little bit intimidating. Both Terry and Francesco are far more superior on the guitar than I am. But I had just the right amount of ice cream and just the right amount of coffee to be loose and ready to lay it down. And I had so much fun!

We played on and on. Sometimes, I would play rhythm and trade licks with Terry, and othertimes we would all play rhythm and add made-up, funny lyrics to the blues patterns. What a joy!

What’s Music Without Dancing?

As we jammed along on the blues, some of our other guests, my friends Robert Weir and Sherie Hayes, started dancing. This wasn’t just any kind of dancing. This was real dancing. Step-by-step, each one knew what the other was doing. Robert would spin Sherie under his arm and she would duck and emerge safely on the other side of him. We moved the chairs around to give them more room, as it was a delight to watch the masterful movements of these very skilled dancers.

Sherie with Toby on guitar.

I’m not sure for how long the dancing went on. Everyone ended up lost in the beauty of the energy that was being expressed that evening. But I’ll tell you this: it was one of the most amazing times that I’ve had on the island!

I’m incredibly fortunate to have Francesco, Naoka, Sherie, Robert, and Terry in my life. We played that night as late as we thought advisable as not to disturb the neighbors, and it was just perfect. My fingertips were very sore, since I don’t usually play the guitar for long periods of time, and it was time to experience the silence of the island under a beautiful starry sky.

Nechema Robinson, MA, the director of KinderWorld Tracks recently spoke with Toby about his life and healing gifts. The following is the first in a three-part excerpt from this interview.

Says Nechama, “If ever an interview has taken me places I did not expect, it was this one with Toby Christensen, Healing Drummer. From corporate events to private healing sessions, Toby’s work is recognized by people in all walks of life.”

Toby Christensen, The Healing Drummer

Nechama Robinson: [Toby, please introduce yourself].

Toby Christensen: My name is Toby Christensen, and people call me the “healing drummer.” Through my work in Burkina Faso, West Africa, I have developed a process of sound healing called sound attunement therapy. It uses sound energy from the drum as a mechanism to disrupt and reconfigure a person’s energy field so that the things that are not helpful in their lives can fall away, and the things they desire to create they can do so more easily. I travel around the United States and Canada doing private healing sessions, workshops, shamanic training, and interactive concerts. More information can be found at www.healingdrummer.com

Nechama: Sounds amazing! How long have you been doing this, and how did you get into it?

Toby: I have been doing this type of drum healing since about 2002. I had been on a trip to West Africa, and when I returned I started having zombie dreams! It was an interesting vision of zombies coming up out of the ground coming towards me, seeming as though I was going to be attacked by them. When they reached me, they laid down on their back. I stood over them and played djembe rhythms, and they were restored to full and complete health. They would jump up to shake my hand and run off!

After several nights of having this dream I called my African teacher. After hearing the reoccurring dream, [he] simply said this: The ancestors are showing you exactly what your life purpose is. Do exactly what you see in the dream! It was then that I began to pull my friends aside and ask if I could drum on them to see what they felt. As this occurred, life-changing things happened in their lives, and people began to call me for sessions.

At the time, I owned a chain of espresso bars and a restaurant—which over the next three or four years I sold. And I have been on the road doing the healing work and teaching since then.

Toby’s Clients

Nechama: What a remarkable story! Who are your clients?

Toby: I would say that my average client is middle income, middle class, college educated and open-minded.

Nechama: How do most of your clients hear about you?

Toby: The majority of [my] clients hear from me through word-of-mouth. Starting off with very grassroots marketing, the word began to spread from person to person. Then I was asked to speak at a medical conference at University of Portland a few years ago, which led to greater visibility. Then it is as though I somehow fell into the cosmic phone lines and people began to call! I began to travel, which led to more calls, and I am now on the road 300 days a year, bringing the healing drum too many places in the world.

In addition to this, I have had tremendous help from people in my community who have helped create my website, blogs, and marketing material, so that when people call I am prepared to offer them the programs that I teach and sessions that I facilitate. It is because of this community and their support that the work has expanded as quickly as it has.

Stayed tuned for part two of this interview: Discovering the Realness of The Healing Drummer.

Thank you to Nechama Robinson, MA, director of KinderWorld Tracks.

Inquiries about Toby’s services can be made to info@healingdrummer.com. Keep in touch with Toby’s events at www.healingdrummer.com/schedule or sign up to receive Toby’s newsletter!

Drumming in Africa with Malidoma Some'

People ask me all the time, “How did you get into doing what you do?” I was recently on HayHouse Radio on John Holland’s Show and it came up again so I’d like to share with you a bit of my story…I call it…

What Zombies Taught Me About Transformational Drumming

Toby Christensen, here. In 1999, I had the privilege of traveling to Africa and living for a month with the Dagara tribe. I immersed myself in their culture and cosmology, experiencing both profound rituals and their realities of day- to-day living. It was an amazing experience.

Malaria Times Two

Returning home was pure culture shock. I arrived in the U.S. with two strains of Malaria, so I was going in and out of 105- degree fevers twice a day for about ten days. It was a very difficult time. As I began to recover, I started to have a recurring dream.

Before describing the dream, I’d like to share that when I was a young child, I used to have nightmares about zombies coming to get me in the night. I’d scream at the top of my lungs for my parents to come and save me. These were horrifying dreams, and they happened many times.

Lucid Dreaming Nightmare?

OK, back to 1999. As I recovered from Malaria, I began to have a recurring dream. I was standing in the middle of a grass-covered football field surrounded by a huge but deserted sports stadium. It was nighttime, but the arena’s overhead lights illuminated the field. I was lucid, knowing who I was and that I was dreaming.

As I stood in middle of the field, I began to wonder what I was doing there. I became aware that I had my djembe strapped on. All of a sudden, the grass before me began to push up to form a small hill. Then the newly created mounds of earth began to tear apart and these filthy, rotting hands clawed out of the soil. A monster crawled out of the hole, stood, and stared at me. It was just like the zombies in my childhood nightmares.

I Stood Over the Zombie and Began to Drum

Doing Ritual With The Elders

The zombie flailed toward me, his arms outstretched. As he got closer, I could see that his right eye was decomposed, hanging out of his skull. He stumbled right up to me…but instead of me feeling any fear, screaming, and running away, I instinctively started to drum. As soon as he heard the drum, he laid down on his back in front of me. Somehow I knew to stand over him and begin to drum. The rhythms I played weren’t of any specific form; just intense, intuitive patterns that arose in my dreaming. As I drummed, he began to be restored. After a spell, he jumped up, looked me in the eyes—his eyes clear and filled with life—and said, “thank you.” Then he ran off, vibrant and transformed.

As I stood on that football field, the scene continued to repeat. These mounds would push up from the surface, boney fingers would tear open the green grass, and the zombie would run toward me. Paradoxically, I remained relaxed and centered. When they arrived, they would lay down and I would restore them to perfect health by playing rhythms on my djembe. They’d jump up, connect with me in gratitude, and run off. The scene would repeat until I awoke.

Just Another Pizza Dream?

Rousing from my dream state, I sat up in bed and said aloud, “What the heck?!” After pondering for a minute or so, I assumed I must have eaten something strange for dinner. (I sometimes refer to that kind of experience as a “pizza dream.”) Well, the following night I drifted off to sleep and once again became lucid. I had the exact same dream. When I awoke, I began to sense that I must have been receiving some kind of message.

In The Sacred Cave

“The Ancestors Are Giving You…”

The third night I had the same dream. When I woke up, I decided to call one of my trusted African teachers. At that time, was working with Malidoma Somé. I called and reached him looking for direction and sympathy, sharing my dream of drumming over zombies and watching them be fully restored.

My teacher, in their African way, said, “I can’t believe it! You don’t get it! You are being shown exactly what you are to do!” they took a deep breath and continued. “Toby, the ancestors are giving you clear instructions. You are being shone one of the gifts that you can bring to the world. You are being given an aspect of your life’s purpose.” They paused, and then said in an even stronger voice, “And I don’t want to talk to you again until you are doing it!” Then they slammed the phone down and a dial tone met my ear.

We Can Take Action Without Knowing All The Details

Malidoma and I

I trusted My teacher’s potent advice and decided to take action. I didn’t know what I was doing, but that was OK. What I did know was that in the dream I drummed over people…well, zombies…and they would get better. During that time, I was taking a shamanic training course. On my lunch breaks I would ask people, “Could you lay down and let me drum over you and afterward tell me if you feel anything?” Most people agreed and I stood over them, playing on my djembe whatever rhythms somehow felt correct. I was surprised when people began to share stories of powerful transformations. I had no mental frame of reference about what I was doing. I was simply drumming as the dreams had shown me.

He Was Dying of AIDS

A woman who reported a profound breakthrough from one of these early sessions referred a friend to me who was dying of AIDS and had been told he had a very short time to live. When we met, he shared that his viral count was over 40 million and his T cell count was virtually undetectable. He could only  get out of bed a day or two a week, and then, for only short periods of time.

We did a drum session, and afterward he was energized, sensing that some of his health had already been restored. We ended up doing a series of sessions, connecting every week for a month, every two weeks for three months, and then once per month for a total treatment time of six months. After our drumming work together, his medical tests showed his viral count was zero and his T cell count was 870. We were amazed and profoundly grateful for the healing that occurred. I still hear from him regularly, and his healing status is always stable.

The Fire Of The Drum Burns

Doors Open

Those early sessions opened the door and the phone started ringing with people wanting to experience the transformational, healing power of the drum. I worked in my local region throughout the rest of 1999 and 2000, began traveling part-time in 2001 to 2003, and then sold my restaurant and coffee shops in 2004 and began to travel full-time. In 2009 I traveled three hundred days, sharing the Healing Drummer work far and wide.

I’m humbled by the enthusiastic response to Healing Drummer Private Sessions. I can’t tell you how great it is to connect with so many people and be of service by doing what I love.

Over the years, I’ve enjoyed answering a number of questions about the Healing Drummer Private Session work. I hope you find the information helpful, and please let me know if you have any questions. My contact info is at the end of this special report. I’ll be delighted to provide any information you need in order to decide if you would like to schedule a time to work together.

Check me out at www.healingdrummer.com and to schedule an appointment shoot me an email to toby@healingdrummer.com

Stay tuned for Part II there is more to come.

Reflecting on Warmer Times

Today as the temperature drops and the rain begins to fall, soon followed by snow, I think back on the summer where I spent two months on the island of Kauai, Hawaii. It was a magical time of climbing the mountains on the island, walking the pristine beaches, absorbing the most amazing sun and experiencing one of the greatest highlights… Playing as the drummer for the Kauai Vibe Tribe. The Kauai Vibe Tribe is a group of local musicians headed by Francesco Garripoli who sings and plays guitar,  Master Will Lydgate on bass, the talented and lovely Ms.Elle on backup vocals and ukulele, and yours truly on djembe.

Therapeutic Rock and Roll

In most of my travels I play on my own primarily any therapeutic manner so to jam with these guys and play this fun music was a real thrill. The first time Francesco came over for us to rehearse was a great experience. He is a prolific songwriter, and really comes from the heart as he plays his beautiful Taylor guitar, (or Fender Strat if he’s in an electric mood) and sings with passion. As I entered in with the drum a beautiful smile came on Francesco’s face and it was clear that there was a merging of souls as well as music. The first time the group got together to practice  it was clear that the same connection existed between Will and myself. As Francesco began to play his first song I could feel the  funky vibe laid down by the bass guitar. Without looking, I began to lay down a beat complementary to the bass line I was hearing. The  groove got tighter and I looked up to see a huge smile on  Will’s face as our rhythms merged to create a beautiful foundation for Francescos song. All in all it was a fantastic experience.

Practice Pays Off

We performed at the Trees Lounge  in Kapaa. The place was jammed and we rocked the house all night long. One of the funny stories involves Francesco and one of the residence on the island. One of the songs that we did, I think it was the only cover, I take that back it was one of two covers that we did, is a song called  “ Wooden Ships” by Crosby, Stills, Nash and Young. It just so happens that Graham Nash lives on the island and from time to time will pop in to local bar to check out the music. It suddenly hit Francesco’s awareness that Graham could very possibly come to Trees that night to hear us play. So in a respectful and somewhat intimidated voice Francesco says “if Graham is there, I am not singing Wooden Ships”. Will playfully responded “come on Francesco, Graham is a really nice guy and would be honored to hear you sing his song”. Well Graham never showed up and we did a great job on the song and believe it or not I’m actually going back for an encore.

Come and Join Us This January

You have nothing more important to do in the month of January 2011. On January 22,2011 the Kauai Vibe Tribe will be making another appearance on the island. This time in addition to the rocking band that we  had we will be featuring the amazing Mr. Terry Kingen on lead guitar. This will be an amazing show. January is a beautiful time to go to the island. The whales are jumping all over the place, breaching I guess is the correct term. The Kauai Vibe Tribe will be playing at some local venue, to be announced, And the following weekend will be the Kauai Wellness Expo! So there are all kinds of wonderful reasons to head to the island in January. And for those of you looking forward to a summer vacation, I will be facilitating three workshops this coming summer on the island so stay tuned for more information.

Please Check Back

Well I guess it’s time to do a little work, make a drumming video, and handle some paperwork. Thanks for sharing this delightful memory with me I look forward to reading your comments!

Here we have Terry Kingen on the guitar Joel Bisset on the kit and I am on the djembe 

Joel Bisset laying down the steady beat!

I was just in Seattle and met up with a group of guys I have not seen for 30 years. I went to Elementary, Junior High, and High school with these gentlemen. As kids we played music together. We would spend hours in my parents’ basement playing Jimi Hendrix, Led Zepplin, The Beatles, Rolling Stones and who ever else was on the charts at that time. Guy Johnson was and is today one of the most talented and skilled rock guitar players on the planet. Terry Kingon is a masterful wizard on the guitar masterfully maneuvering his way through any style of music from rockabilly to Frank Zappa! Clearly, Terry is the most musically educated and diverse of the gang. Joel Bissett is one of those guys who is the embodiment of kindness and a true gentleman. He was always ready to help those of us who were up on stage, always picking up tips on playing the drums and guitar. He was never in the spotlight back then but he has become a fine drummer and excellent man on the guitar. And of course I cannot help but mention Paul Dragoo, Paul and I did not meet till High School but became close friends, as we played in bands together during that time in my life. It was through Paul’s continued connection with the other three men that ultimately lead to our reunion.

 
Reconnecting to these men is one of the greatest joys I have experienced in a very long time. Our hair is a little grayer; we all have a bit of age on our bellies. But jamming with these guys made my heart sing. After all these years, we have each held music as our love and passion. I had the opportunity to be on stage with two of them. Joel and Terry. Joel was on the drum kit and Terry was man handling a pink paisley Telecaster. And I was bringing the HealingDrum to a bar in Renton Washington! 

It was such a joy to play with these guys Terry and I could not do anything but SMILE