Terry Kingen playing the blues on the Epiphone Casino.

As my adventures on the island of Kauai unfolded, I had the pleasure of having a couple of friends visit from the mainland. Terry Kingen has been a great friend of mine since elementary school. Terry is one of the premier guitar players in the Seattle area, and has been teaching me blues guitar for the last couple of years. Anytime Terry and I get together, music is involved!

One evening, Terry and I decided to have a party. And whenever we have a party, drumming and guitar playing is always the primary theme! Several friends came over to join us that evening for a wonderful dinner. When we were all completely stuffed, we gave ourselves a short recovery time and then broke out the guitars.

Francesco Garripoli started singing some of his new songs, and Terry couldn’t resist laying down the lead. He started off playing my Epiphone Casino. Although I love guitars, I’m not a very good player. This particular guitar was a favorite of the late John Lennon. If you ever see a video of The Beatles’ last performance on the rooftop of Apple studio, you will see him playing a guitar just like this one. It is said that he liked it because it was lightweight and the hollow body allows it to be played as an acoustic guitar. Not to mention the P90 pickups make it sing beautifully when played  through an amplifier.

Musical Feast

Francesco rocking the Taylor guitar.

With Francesco laying down the rhythm guitar and Terry playing lead, there was only one thing missing: the  drum. So I pulled out my djembe and started playing. Song after song, Francesco sang the beautiful melodies that he’s been inspired with for the last year, Terry added the beautiful lead licks to spice up the songs, and I laid down the djembe. The energy continued to build from there.

We must have played for at least two hours! Francesco came up with amazing new material. In fact, the songs we played that night were later performed by our band, the Kauai Vibe Tribe, a few weeks later at The Trees Lounge in Kapaa.

When we eventually ran out of Francesco’s songs, we took a little break to replenish our energy with some coffee and ice cream! When you’re a hard-working musician, it’s important to eat right. Sugar and caffeine are two very important foods for good musicians. So, after consuming copious amounts of the local ice cream and a few cups of coffee, we were ready to start again!

The Djembe Drum

Toby taking a break from the djembe.

It’s amazing how good the ancient tribal African instrument, the djembe, can sound so good with modern guitars.

With that evening’s jam-session, it was almost as though the ancient and the modern had united. Whether we were playing folk songs written by Francesco, or tunes by Crosby, Stills, Nash and Young—or in some cases, very unusual renditions of a Frank Zappa song—the djembe served well as the rhythm keeper.

I hate to say it, but the djembe even sounded good with some of the rockabilly and country songs that Terry sang. I must admit, it was challenging to play country music on the djembe—for me it’s hard to play country music, period. But Terry put his own spin on the music and made it sound just fine!

Toby Plays Guitar

For our second set, I was somehow convinced to play guitar. Actually, it didn’t take too much convincing: I love to play. And to take over the djembe and keep rhythm for us, we were joined by our friend Naoka.

Naoka on djembe.

This time the tone changed a bit. Being that my guitar skills are somewhat limited, Terry started a nice blues progression in the key of A, and encouraged me to lay down some of the lead patterns that he’s been teaching me.

I must admit that this was a little bit intimidating. Both Terry and Francesco are far more superior on the guitar than I am. But I had just the right amount of ice cream and just the right amount of coffee to be loose and ready to lay it down. And I had so much fun!

We played on and on. Sometimes, I would play rhythm and trade licks with Terry, and othertimes we would all play rhythm and add made-up, funny lyrics to the blues patterns. What a joy!

What’s Music Without Dancing?

As we jammed along on the blues, some of our other guests, my friends Robert Weir and Sherie Hayes, started dancing. This wasn’t just any kind of dancing. This was real dancing. Step-by-step, each one knew what the other was doing. Robert would spin Sherie under his arm and she would duck and emerge safely on the other side of him. We moved the chairs around to give them more room, as it was a delight to watch the masterful movements of these very skilled dancers.

Sherie with Toby on guitar.

I’m not sure for how long the dancing went on. Everyone ended up lost in the beauty of the energy that was being expressed that evening. But I’ll tell you this: it was one of the most amazing times that I’ve had on the island!

I’m incredibly fortunate to have Francesco, Naoka, Sherie, Robert, and Terry in my life. We played that night as late as we thought advisable as not to disturb the neighbors, and it was just perfect. My fingertips were very sore, since I don’t usually play the guitar for long periods of time, and it was time to experience the silence of the island under a beautiful starry sky.

Nechema Robinson, director of KinderWorld Tracks, recently spoke with Toby about his life and healing gifts. The following is the final excerpt from this three-part interview.

Toby’s Influences & Heros

Nechama: I’d be interested to hear who your childhood heroes were, [and] who do you look up to now?

Toby Christensen

Toby: My first and most profound influence, musically, were The Beatles. I remember seeing them on The Ed Sullivan show. I saw Ringo up on that stage and knew that’s what I wanted to be. I then later fell in love with the likes of Eric Clapton, Frank Zappa, and many of the jazz greats.

Although I had a very tumultuous childhood, my father has always been a very big hero to me: [he’s] very calm and wise.

The other person that has influenced my life tremendously all through my childhood and into my adult years is my uncle Mike Flo. He was a very successful businessman, and at 90 years old continues to be a very positive influence in my life.

I would say Wayne Dyer is another huge influence. He was the first presenter of what we might call “alternative” perspective in my life. I had a tape set of his back in the early ‘90s, and I’m pretty sure that I wore those tapes out listening to them over and over and over again!

Nechama: I can understand how so many people would want you as an influence in their lives. Your life is a testament to the possibility of a kind of broad-spectrum success that seems to require no compromise. Would you agree?

Toby: I would certainly like to think so! My work centers around people coming into and claiming their power! No guru in my world: I help people become their own guru

Nechama: Yes! I have noticed that in your message over and over again. Clearly, I am not the only one who finds that appealing and empowering.

How Drumming Can Help Parents & Children

Nechama: Many of my readers believe that playing with rhythm has benefits for their children. Does your work relate to anything you enjoyed doing as a child? Are there children in your life? If so, how is your relationship to them affected by your work?

Toby: I would agree with your readers very much! I started drumming when I was about five years old. It is a gift that I was born with. My entire childhood was filled with music, and drumming is the one area of my life where I was supported very strongly by my family. I do not currently have children in my life, however I work with children from time to time, both young children and adolescents.

When I was raising my stepson, it was interesting as my work shifted from the more “ordinary world” things—such as the coffee business and a restaurant—to the more “otherworldly” business that involved the drumming. He was a little uncomfortable with what to tell his friends [about what] his stepdad did.

One time, I was hired by fashion designer Donna Karan to do an event at her flagship store in Manhattan. My stepson, Adam, came with me to that event, and as he saw some of his favorite movie stars dancing and enjoying my drumming, it gave him a whole new perspective. It was a way to bridge ordinary and non-ordinary reality.

Finding Rhythm

Nechama: I love that story! What do you think are the most significant benefits of giving children the opportunity to play with rhythm? And, if you could give one tip to parents looking to maximize that opportunity for their children, what would it be?

Toby: I think the biggest benefit [for children] is the benefit of self-expression. In our culture, we are constantly programming the restraint of freedom and a conduct that is predicated on how other people will perceive us. So, self-expression is something that the drum facilitates beautifully.

When I had my restaurant, I had African décor, and there were drums sitting around on the floor. Every once in a while, someone would bring a child in and they would head immediately for the drum and start banging on. The parent usually would run frantically to make sure that the child did not hurt the drum or disturb anyone. Usually, that was the time when I would start an impromptu jam session with the child! The patrons loved it!

Let your child be free! That is the most profound tip I could give. So much of our restrictive behavioral conduct has hugely damaging effects when a child comes into adolescence. Most of the time, substance abuse and “inappropriate behavior” are just a way for our children to fight against a repressive cultural system that denies them their genius. In the village where I’ve studied, my teacher Malidoma Somé says each and every person is born a genius. It is the job of the village or community to acknowledge and support the genius that resides in each and every person. Let your child be a genius and let that genius shine!

Nechama: And that just might be my favorite story of all!

Thank you, Toby, for an absolutely riveting interview! I hope we can do this again some time. I will certainly be following your work. Please don’t hesitate to contact me for any reason. Would you like to say anything else before we say good-bye?

Toby: It was an honor to be interviewed by such a skillful and conscious being. Thank you! I look forward to further contact. Be well.

Thank you to Nechama Robinson, MA, director of KinderWorld Tracks.

Three friends 30 years later!

As I travel around and talk to people, my primary messages is about people shining the light in the world. Most of the time people hear me talk about this, but think about me standing up on stage in front of a large group of people teaching or playing my drum. But on my recent trip to  Seattle, something occurred to me. We can shine our light in the world where ever we are and through whatever it is we are doing.

The story goes like this: a couple years ago I reunited with some old friends. They were friends that I had played music with back when I was nine years old. We played together all the way through our high school years. I moved to California right after high school and lost track of my friends. Then, 40 years later . . . okay, that’s just not right! 30 years later we reunited in the most fantastic way. Every time I go to Seattle, I get together with my friends Terry Kingen and Guy Johnson. They are both phenomenal guitar players, and they are both uniquely different. It is an absolute joy to play with them because they both bring such tremendous talent to the world in their own unique styles.

Guy Johnson

Guy Johnson

At 10 years old, Guy Johnson had an old Fender Stratocaster. He was a tall, lanky kid with fingers about a foot long that could move like lightning. Guy had a profound love: Jimi Hendrix. And at 10 years old, Guy could play a lick-for-lick and note-for-note any Jimi Hendrix tune.

I remember when the Led Zeppelin II  album was released. On one of the songs was a very fast and technical guitar solo done by Jimmy Page. I remember little Guy Johnson putting the album on the turntable, putting the needle on the album, and then by hand turning the record slightly slower than 33 RPMs. Each note of the guitar solo was very apparent at the slower speed, and after listening to it three or four times, Guy turned the stereo off, picked up his guitar, and played the solo note for note. It was absolutely unbelievable.

At that time I didn’t know anything about “channeling.” But now I realize that Guy had the ability to tap in to certain energies and literally channel them through his guitar. He really used to piss everybody off because if he heard it, he could play it! Anything!

Terry Kingen

While the rest of the world was listening to Jimi Hendrix, Led Zeppelin, and the Beatles, there was Terry  Kingen. While we were in the garage jamming out blues licks, bending strings within the blues box, and trying our best to be rock ‘n roll stars, Terry was studying with the most masterful teachers in the Seattle area. He was listening to the great jazz maestros. He was emulating Frank Zappa, John Cole Train, Capt. Beefheart, John McLaughlin and the Maha Vishnu Orchestra.

Terry Kingen

Terry was on the outer stratosphere of another galaxy compared to all of us. The difference between Terry and Guy was that Guy could play it, and Terry could tell you every single note of it and how it relates to every other  note and how that related to the chord progression that was holding the space for the solo to occur.

Simply said, Terry was, and is, a musical genius! He is my guitar teacher and mentor. His gift is that he can take his complex knowledge of music and put it into very simple terms, so that even a guy like me can understand.

Discovering Joy in Guy’s Basement

I’m so grateful to have these men in my life. Terry, Guy and I had a wonderful, spontaneous experience on my last trip to Seattle. Terry and I went over to Guy’s house, picked him up, and went out for a burger. After dinner, we went back to Guy’s and slid down the stairs to the music room where Terry and I picked up a couple of old, dusty acoustic guitars. That’s when we went into an amazing blues jam.

Me, being the newcomer at the guitar and not being in the same league as those two, chose to pull out my iPhone and take footage of this masterful, spontaneous combustion of music. And it occurred to me as I was listening with a feeling the joy that filled the room as this great talent was expressed that we bring our light to the world whenever we shine, wherever that is. I realized that in the basement of Guy Johnson’s house was a vortex of great joy created by three friends getting together and sharing their gifts. No spectators, no recording. Just three open hearts connecting in a beautiful way to bring the gift of music to the world.

Setting an Example for Shining Light Into the World

Every time we open our hearts and step into the place of joy and passion, we are shining a light in the world. We are creating a vortex of joy that brings good energy to the planet.

I hope as you watch this video that you’re able to feel the fun that we had that night. Guy had sung for hours the night before and his voice was trashed, but it didn’t prevent him from shouting out the lyrics as best he could!

As you get caught up in the playful energy of this evening, please remember to bring your gift to the world. Shine your light into the world as often as you can! I hope you enjoy.

Here we have Terry Kingen on the guitar Joel Bisset on the kit and I am on the djembe 

Joel Bisset laying down the steady beat!

I was just in Seattle and met up with a group of guys I have not seen for 30 years. I went to Elementary, Junior High, and High school with these gentlemen. As kids we played music together. We would spend hours in my parents’ basement playing Jimi Hendrix, Led Zepplin, The Beatles, Rolling Stones and who ever else was on the charts at that time. Guy Johnson was and is today one of the most talented and skilled rock guitar players on the planet. Terry Kingon is a masterful wizard on the guitar masterfully maneuvering his way through any style of music from rockabilly to Frank Zappa! Clearly, Terry is the most musically educated and diverse of the gang. Joel Bissett is one of those guys who is the embodiment of kindness and a true gentleman. He was always ready to help those of us who were up on stage, always picking up tips on playing the drums and guitar. He was never in the spotlight back then but he has become a fine drummer and excellent man on the guitar. And of course I cannot help but mention Paul Dragoo, Paul and I did not meet till High School but became close friends, as we played in bands together during that time in my life. It was through Paul’s continued connection with the other three men that ultimately lead to our reunion.

 
Reconnecting to these men is one of the greatest joys I have experienced in a very long time. Our hair is a little grayer; we all have a bit of age on our bellies. But jamming with these guys made my heart sing. After all these years, we have each held music as our love and passion. I had the opportunity to be on stage with two of them. Joel and Terry. Joel was on the drum kit and Terry was man handling a pink paisley Telecaster. And I was bringing the HealingDrum to a bar in Renton Washington! 

It was such a joy to play with these guys Terry and I could not do anything but SMILE